With new album In Dream out, Editors are back out on the road again. We sent photographer Greg Shingler down to catch the guys in action.

Glasgow (October 18) and Newcastle (October 20) are the band's only remaining UK dates that aren't already sold out and from October 28 they'll be in France, The Netherlands & Germany.

In Dream is available from amazon & iTunes.

More pictures can be found on our Flickr here.

Circa Waves are currently tearing their way through a mammoth UK tour, we sent photographer Greg Shingler down to Bristol Academy to capture the band in action.

 On the road in support of debut album Young Chasers they have dates left Manchester, Birmingham and Oxford before jetting off to Jakarta.

 Young Chasers is available from amazon & iTunes.

 The rest of Greg's photographs from the Bristol show can be viewed here.

What are the best One Hit Wonders of all time?

Music artists constantly work to produce tracks that people love. Getting a single in the Top 40 in the UK is a huge accolade to musical talent. However, some artists and bands manage to release a song that gets massive appreciation, yet their other work does not get the same reaction from the public. When this happens many people refer to this as a one hit wonder.

In celebration of One Hit Wonder Day on September 25th, Best Offers Bingo has conducted a survey of over 1400 people across the UK asking ‘what is the best one hit wonder?’ The results are as follows:

Deep Blue Something - 'Breakfast At Tiffany’s': 191 votes

'Breakfast At Tiffany's' was first recorded in 1995 by Deep Blue Something. It originally appeared on the album 11th Song. The song was later re-recorded and released on their next album Home. It was the band's biggest and only hit, peaking at number five in the US Hot 100. The single also topped the charts in the United Kingdom, as well as peaking at number three in both Australia and Ireland and number four in Canada. Unfortunately Deep Blue Something did not manage to keep their music career flying high. Follow-up singles failed to match its success, hence the reason for the band's classification as a one-hit wonder.

Cornershop - 'Brimful Of Asha': 93 votes

'Brimful of Asha' is an instantly recognizable 1997 single by Cornershop. It originally reached number 60 in the UK Singles Chart in 1997.  However, Norman Cook, aka Fat Boy Slim saw potential in the song and a remixed version became both a radio and critical success.

Kriss Kross – 'Jump': 67 votes

Kris Kross was a hip hop double act formed in the early 1990s and consisted of James Christopher "Mac Daddy" and Christopher HE "Daddy Mac" Smith. They hit worldwide status with the smash 1992 'Jump'. The single was No. 1 on the Billboard Hot 100 for eight weeks and certified double platinum as a single. It occupied the number two slot in the UK. Kris Kross were also noted for their fashion style, which consisted of wearing their clothing backwards.

Crash Test Dummies - 'Mmm Mmm Mmm Mmm': 65 votes

"Mmm Mmm Mmm Mmm" doesn't sound like much of a hit. But this song went '90s “viral” in 1993. It was released in October of that year as the first single from their second album God Shuffled His Feet. The song was successful all around the world, peaking at number one in Germany, Australia and in the US. It also became a top five hit in the UK and the US Billboard charts. Brad Roberts, the writer of the song, told The Independent, "When I wrote that song, it didn't flow through me, I wasn't inspired. I sat down and I decided I had certain themes that I wanted to make sure I handled in a way that wasn't sentimental but at the same time was powerful and poignant. I wanted to put a funny angle on it without being merely slapstick. It all boils down to careful scrutiny of what you're doing, your rational faculties being brought into play." The song is famous for being a mixture of imperfect perfection with a splash of plain weirdness.

The rest of the results from the one hit wonders survey:

White Town - 'Your Woman' 47
Rozalla - 'Everybody’s Free (To Feel Good)' 47
Divinyls - 'I Touch Myself' 41
Eagle-Eye Cherry - 'Save Tonight' 40
Sir Mix A Lot - 'Baby’s Got Back' 33
Ini Kamoze - 'Hotstepper' 31
Joan Osborne - 'One Of Us' 26
OMC - 'How Bizarre' 25
Stereo MCs - 'Connected' 21 (odd seeing as 'Step It Up' achieved a higher chart placing)
Andreas Johnson - 'Glorious' 16

Are these the best one hit wonders of all time? Let us know your thoughts in the comments below!

Midway through David Byrne’s Meltdown at the Royal Festival Hall in London - a festival that has seen performances ranging from the likes of doom titans Sunn 0))) to the electronic bleeping of Matthew Herbert, via the bombast and opera of Anna Calvi - perma-dishevelled Radiohead polymath, Jonny Greenwood walks onstage with the London Contemporary Orchestra to perform a live soundtrack to a film. The film is 2007s There Will Be Blood, Paul Thomas Anderson’s horrific document of one psychopath’s obsessive, terrifying journey towards the omphalos of the spewing pipe of black gold in middle America - the oil well.

Alongside Anderson’s meticulous mise-en-scene - a camera scanning across men leaning over maps, steam trains framed in still, symmetrical long-shots out in the desert - the music in There Will Be Blood is integral to the film. Greenwood’s soundtrack is all staccato strings, looming Hitchcockian cello, and the otherworldly whistling of Jonny Greenwood’s ondes Martenot. Without the soundtrack There Will Be Blood would be a bombastic historical drama. With it, it’s a horror film.

It opens with a dialogue-free fifteen minutes as ‘oil man’ Daniel Plainview digs for silver down a mine, hell bent on finding his fortune. He discovers silver ore, but breaks his leg falling down the ladder of the mine as he tries to climb out. Like all horror films villains though, Daniel is relentless, he will never stop. He pulls himself up the ladder, snapped bones scraping against each other to the terrifying swell of violin strings and string plucks, and drags himself to the nearest town. Onstage the strings of the LCO’s fourteen violins heave while Daniel lies on the floor, wincing and scratching a fountain pen over paper, registering his claim. He uses the silver money to set up his first oil well, and as the pipe begins gushing from his first drilling attempt, the orchestra launches into Brahms’ violin concerto in D major. Thus begins the rise of Daniel Plainview.

Two hours into the film and several years later, that gushing oil turns to blood. Plainview is a millionaire recluse, having made his money but lost his mind, drinking whiskey in the private bowling alley in his house. A young acquaintance comes to see him to ask for money. Daniel humiliates him, beats him, then begins smashing his skull with a bowling skittle again and again - the oil that spewed from the earth becoming blood spewing from a human head. The music stops. “I’m finished,” he says to the camera. The film ends and the Brahms concerto begins to play again. The credits roll, and out onstage in the Festival Hall we are treated to virtuoso violinist, Galya Bisengalieva coming front of stage to play lead violin, her bow moving across the instrument like the crackle of lightning on a rod. The first time tonight she played the concerto was when Daniel Plainview founded his first mine. The second time was when he brained a young man with a bowling skittle. Therein lies the title of the film - there will be oil, then there will be blood.