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Rockaway Beach @ Butlin’s, Bognor Regis - Day Three

Rockaway Beach

@ Butlin’s, Bognor Regis - Day Three

We must admit that Public Image Ltd had such an impact on us that sleep was hard to find last night. We were pumped for hours after they finished and morning came as a harsh surprise. The breakfast buffet from Butlin’s definitely helps though and we’re off to explore Bognor Regis before the music starts. The sparkling sun on the sea off the pier at Bognor is hypnotic and, returning to yesterday’s debate about the nature of Rockaway Beach, it’s difficult to argue about it’s festival status when you’re luxuriating in a steaming hot bath on a Sunday morning. We leave Captain Stavros to go to Baggio and fortify our spirits with a pint in a local pub.

We make it back to Centre Stage just as ‘70s punks, The Members, are warming up. Their laid back reggae infused tunes are the ideal Sunday afternoon fare, and are accompanied by tales of music industry shenanigans and other reminiscences. They’ve been playing together, on and off, for fifty years and are as shambolic as when they started. The Members come across less as punk rock legends and more like local legends; the school teachers group who nearly made it and still play at the town fete.

It’s been a disappointing Sunday on the music front but we’re hopeful that Inspiral Carpets and English Teacher will change that perspective and finish us off on a high note. Inspiral Carpets are probably better known now for their early association with Noel Gallagher than their involvement with the Manchester baggy scene. They rock harder than we recall, although that may merely be because the Doors style organ is lower in the mix than it was on their breakthrough records. That isn’t enough to carry the crowd along with the music though. There are sufficient Inspiral Carpets t-shirts on show to suggest they have a following but, for the most part, it’s uninspiring carpets. By the time we hear their signature tune, ‘This Is How It Feels’, the crowd has thinned significantly and their undercooked delivery fails to capture the hearts of the remaining audience.

It’s up to English Teacher to rescue a musically underwhelming day. We’ve somehow managed to avoid hearing them even though they’ve won the Mercury prize and are now closing out this festival. You can only imagine the horrified look on our faces when we realise they’re a fucking prog act! It’s all there; the self-indulgent tripe, the backs to the audience, the lack of hooks or acknowledgement that an audience is trying to enjoy their music, the inability to maintain a beat and or groove for four or more bars, it’s anathema to us. It’s a shame that the weekender has to end with this dross because up to now, it’s been enjoyable.

Overall impressions of Rockaway Beach

It would be disingenuous to end this on a sour note as it’s an enjoyable and unusual weekender. The crowd are laid back and generally considerate of each other. Many of them have already booked in for next year. There are plenty of eating and drinking options and the accommodation is above what you’d usually expect for a festival. Even though the quality of the music lineup was front loaded and peaked on the Saturday, we can think of worse ways to spend the first weekend of January. The timing is unique and makes for a great way to start the new year. There’s no roughing it here. The accommodation is plush, the venues are indoors and well laid out and  supplied. The staff are helpful and friendly. No queueing for toilets or food. It’s all paved and accessible. It’s not far, not hard to reach, you can hitch a ride to Rockaway Beach.

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Rockaway Beach @ Butlin’s, Bognor Regis - Day Two

Rockaway Beach

@ Butlin’s, Bognor Regis - Day Two

It’s day two of the Rockaway Beach weekender in Butlin’s holiday camp, Bognor Regis and today started with a semantic debate about whether this counts as a festival or a resort. “Did you pack a tent or a sleeping bag? “asks Captain Stavros from the comfort of his double bed. He may have a point, and it is reinforced after our buffet breakfast and sojourn in the water park. We’ve never been to one of these with out being a kid, or shepherding a bunch of youngsters and it’s a wonderful experience to go on the slides without having to keep an eye on anyone. The vintage alternative rock coming out of the tannoy only adds to the vibe. We must concede the point but there is definitely a friendly festival vibe amongst the festival goers / guests / resort patrons. We make it to Centre Stage for the gothic shoe gaze of Winter Gardens, who live up to their name. Their Cure inspired tunes are pleasant enough but the harmonies never quite merge.

We Hate You, Please Die is a name designed to get attention and it certainly caught ours. From the opening, they don’t disappoint; lashings of heavy bass, clean telecaster, and thrashing drums back up the angry vocals from the French trio. It’s not just aimless noisemaking either. They aren’t afraid to switch up the tempo and dynamics, and the band never loses control over the music.

Home Counties waste no time hitting their groove. Some early problems with the mix are quickly ironed out and the duo of lead singers lay out hook after hook over a trio of synths and a very funky rhythm section. For an English pop band, they sound more like a Swedish group and bring to mind the noughties alt pop of Danish collective, Alphabeat.

All this euro pop has us to in the mood for dinner and the buffet hits the spot again. We’re coming round to the idea that every festival should have one! We enjoy the dinner a bit too much and miss half of Gans set, which we immediately regret. On record, this English duo sound like Nine Inch Nails clones but live they’ve more of a hardcore vibe, with an angry groove and catchy vocal interplay. The bass and drums merge seamlessly with the synths and their cheeky camaraderie and bluster is perfectly summed up by the Fuck Em All stencil on the synths and the Gans Is Good For The Soul backdrop. Gans are everything Soft Play promised to be before they got all bitter; a good time party band crossed with pedal to the metal energy, check them out immediately.

It’s distinctly odd, after two days of watching unsigned and/or independent bands to come into Studio 36 and see Public Image Ltd on stage. This is a new stage and dwarfs the Centre Stage. The lighting and screens are excellent, and the sound and view of the band are good from all round the room. As incongruous as it may be, it’s very welcome. John Lydon has been a contrarian for longer than most of us have been alive. And yes, his latter day incarnation is much harder to swallow but he remains a compelling performer and PiL are the band he has put most of his time into, even if The Sex Pistols retain more notoriety. A simple introduction of “This is PiL” instigates a ninety minute sermon of rousing, gurning, ululating post punk beauty. It’s a great way to spend the Saturday night of Rockaway Beach’s tenth iteration

40 minutes in and everyone who was just here to see Johnny Rotten or to hear some Pistols numbers has pissed off. The crowd has noticeably thinned out. The intensity from the band never dips though. Lydon may be a cunt, but he’s a funny cunt, a cantankerous one, and he never gives less than his maximum. his act feels like a catharsis for both himself and the audience. And he’s only trying to get a ‘Rise’ anyway.

Postscript: PiL’s interpretation of Leftfield’s ‘Open Up’, which they save for the encore is amazing.

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Rockaway Beach @ Butlin’s, Bognor Regis - Day One

Rockaway Beach

@ Butlin’s, Bognor Regis - Day One

Chewing out a rhythm on my bubble gum, the sun is out but it’s minus one. We’re kicking off the new year in style with a trip to sunny Bognor Regis for Rockaway Beach. Traditionally the first festival of the year, Muso’s Guide has been covering this fest since 2015 .

Captain Stavros is a veteran at this point but it’s the first time for me. It’s off season for Butlin’s holiday camp in January, so Rockaway Beach takes over the whole place for three days. A word of advice for anyone coming from abroad ; fly into Gatwick, not Heathrow, it’ll cut about two hours off your journey!

Logistics aside, we arrive on a clear night with an expected meteor shower. Unfortunately, the glaring light of the full moon makes it difficult to make out even the brightest constellations. We get a comfy room in the Wave Hotel and head down to Centre Stage, where most of the gigs are taking place. Despite the late hour, there’s a queue in Burger King and at the Chinese too.

Voka Gentle are like an hip Brady Bunch who spent their, very recent, youth listening to early Alt J. The two women who occupy the stage to the left and right are either sisters or have spent so much time together that they look and act alike. The other two band members; perhaps brothers, uncles, or cousins, take centre stage but the talent is in the two girls. Their harmonies and multi-instrumental talents are raw and only beginning to take shape but they have something. It’s not clear yet what it is, but they’ve got something. All four members are comfortable with both digital and analogue equipment and often use both simultaneously.

It’s a noticeably older crowd and many of the attendees will have children this age, and are very encouraging, which is no more than the band deserve. Diamonds in the rough but diamonds nonetheless.

After a late arrival and a full day of travel from Dublin, we retire to the comfy surroundings of the hotel room to talk nonsense and decompress, with much anticipation for tomorrow’s activities.

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Singles that Mingle 20251212

 

Singles that Mingle

With Captain Stavros

 

Party Dozen – Mad Rooter

Mad Rooter/Ghost Rider Out Now Via City Slang

Sounds like a proper tune for stomping around in the muck.

 

Bibi Club – Amaro

Amaro Out February 27 Via Secret City

A fusion of French and Persian inspired notes.

 

Everyone Says Hi – Communication

Everyone Says Hi Out Now Via Chrysalis Records

It’ll be a week here in the big smoke of big rains. Wash those sads away with this popping ditty.

 

Jasmine.4.T and Jacob Alon – Find Ur Ppl

All Thing Go: 10 Year Charity Compilation Out Now

The best sounding collab since P B & J.

 

Tenderness – We’ll Always Have Paris 1919

True Out March 13 Via Amorphous Sounds

A warm chorus of sounds.

 

The Paper Kites – Shake off The Rain

If You Go There, I Hope You Find It Out January 23 Via Nettwerk

TPK soar on this latest single.

 

Hirons – Vertigo

From the Future Perfect Out Now Via Western Vinyl

We like this tune because it sounds like unravelling a slinky.

 

Red Ivory - 12th October

Please Leave, I Need to Wake Up Out Now

Up and coming on the London Scene, you heard them here first.

 

Deathcrash – Triumph

Long stabs of guitar on the open road.

 

Bill Fray – Maudy La Lune

Normally, we don’t re-heat leftovers, but the rule book goes out the window for one Bill Fray. When this came across our desk we thought it an injustice not to turn someone new onto this legend. Re-issued demos out now.

 

Blackwater Holylight – Heavy, Why?

Not Here Not Gone  Out January 30 Via Suicide Squeeze Records

Hope you like dank and deep fuzz. If not, you’ll be converted.

 

Constant Smiles – When You’re Gone

Time Measured in Moonflowers Out Now Via Felt Records

This one rests on your shoulders like a weighted blanket.

 

Fast Money Music – Lover Boy

Fast Money Music Out 2026 Via Sic Records

Great heading out the door on a Saturday night tune.

 

Eugene McGuiness – London

Accurate lyrics about London(e).The shadows may drag but this track doesn’t.

 

 

 

 

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The Runner (Film Review) at the Rio

When the darlings of dark wave, Boy Harsher, released their highly anticipated new cult banger ‘Tower’ around Halloween last year, we were given a rich cut, pulsing with deep and rebounding synthesized pangs from the start.  It pushed through our monitors like the flesh gun through the TV in Videodrome.  Seemingly, an unattainable high bar had been set. Then, two months later, ‘Give Me A Reason’ followed and soon no bar could be set high enough.  As The Runner OST trickled out, bits and pieces of Carpenter, Cronenburg and Lynch’s influences were omnipresent.  What then would become of the marriage between soundtrack and the ‘reckless...out of control...pure evil’ scenes splattered throughout The Runner? 

The film follows Kris Esfandiari (a tranced-out blood witch) as she flees a motel, leaving behind a mess that could double as an abattoir.  The destruction in her wake ruins the lives of everyone she crosses paths with in the backwoods of smalltown USA.  Twice she reaches out by telephone on her journey to The Desperate Man, but his pleas for her to return home ultimately go unanswered.  Literally, she doesn’t speak for her entire performance.  Through television screens (portals?) in the scenes, we’re connected to accompanying, and seemingly unrelated, content in the form of music videos.  Those, in turn, jarringly transition into Jae and Gus’ garage studio, where we get a candid peak behind the curtain to see how the sausage is made.  Between these brief life out-takes, the new music and the end credits where their actors revert back to their playful collaborative friends, are actually the only engaging content worth watching. 

In terms of a directorial debut, Jae and Gus’ The Runner is much in the same vein as Dali’s Un Chien Andalou.  It’s graphic and immaterial showcases ability but lacks enough compelling content to do much more.  Through a discombobulated 40 minutes, the film relies heavily on its strengths: locations, lighting, props, and set design.  Unfortunately, these strengths end up holding a mirror to the film's weaknesses, highlighting a stark contrast between stripped back, one dimensional characters uncertain of their place within the scene, outside of James Duval who nails his role as the host.  Transitional scenes, edited to look like VHS, loosely pull the viewer into a distorted and confusing semi-cohesive narrative, tethering us to the story via nostalgic anchor points rather than actual horror.  We’re given the store-brand when we’ve paid for the name-brand. 

The Runner tracks like the manifest content of a dream, plausible to the dreamer but a half-baked idea to the rest of us.  Themes of escape, fantasy, loss, discarded people are woven alongside semi-autobiographical tones throughout.  Ultimately, these divide the viewers' attention like someone toggling a light switch on-and-off again.  The Runner doesn't conform to a traditional storytelling structure but instead dips from nonsensical to semi-lucid, arriving then to a perceived reality repeating as directed.  Even classic horror tools, like a character disappearing off screen after meeting our protagonist, insinuating unspeakable violence, ultimately leave cerebral elements to atrophy.  In short, the film flirts but doesn’t commit to any one thing long enough to do it well enough.  A non-horror horror, lacking identity and the stamina to push through to an audience outside Boy Harsher fans, and even then, only just. 

If you, as die-hard Boy Harsher fans, decide to follow your heart into this film, the aforementioned noteworthy moments won’t let you down.  The new tunes seriously slap and the playful chemistry between Jae and Gus behind the scenes talking about their music and characters are genuine moments.  If you’re going in wanting to see a horror, or even a film, you will be let down, six feet underground.  Where The Runner unwittingly succeeds is teaching us that ultimately the heart can be a double agent. 


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