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Slow Readers Club @ The Academy, Dublin (Live Review)

  • Published in Live

 

Slow Readers Club

Academy, Dublin

 

The last time our paths crossed with Slow Readers Club, they were an independent band peddling their second album.  One major label deal and three charting LPs later, they are headlining Dublin’s Academy and have developed their sound to suit the larger venues they are accustomed to these days.

We arrive early for Amy Montgomery.  People were raving about her after her headline set at Vantastival in September.  It’s a different gig opening for an established act when you don’t have your normal stage set up and lighting.  We’re pleasantly surprised to see Nolan Donnelly, guitar player/producer from Mosmo Strange, take the stage to kick off Montgomery's introduction.  The Northern Irish singer emerges in front of the sparse crowd but sings as if the room were full, dropping onto her back after the first chorus.  It's a classic rock sound that manages to avoid the cliché-ridden pitfalls that can overcome such bands.  Montgomery and Co continue to kick out the jams for 35 minutes of hard rock screamer mayhem.  We make a note to follow up with their next headline gig.

The crowd swells ahead of Slow Readers Club.  Tonight isn’t sold out but you’d be hard pressed to tell from the size of the crowd.  They’re that indie band that becomes a dance groove band when they start playing bigger venues, and you won’t hear any complaints from this corner.  Aaron Starkie’s voice fills the venue from the front row to the back of the bar.  The band have had commercial success in the UK but have yet to make a mainstream impact in Ireland. Nonetheless there are hundreds of people here singing back the lyrics. It’s a noticeably older crowd here, suggesting a love of Manchester indie bands rather than a commercial influence.  It's indicative of our globalised world but also of Ireland’s close links with the UK.  Slow Readers Club have the crowd enraptured from the opening bars of their first tune and manage to maintain it throughout the set.

Pairing SRC with Amy Montgomery is a bit of a mismatch.  Montgomery’s set is all flashing lights, eye catching makeup, flailing dreads, and vocal acrobatics while SRC let the music do the heavy lifting.  The stage is relatively undecorated, the lighting plain, and the band barely move.  It’s the audience’s engagement with the songs that pumps energy into the room.  It’s an approach one can respect but we’d rather the balls-to-the-wall, last night on earth performance that the support act gave.

The headliners break out the big tunes late in the set and the audience's response sakes the jelly in our eyes.  The Dublin following is fervent as becomes obvious after ‘On The TV’.  After the songs finishes, the audience sings back the refrain with such resolve that the band join in and improvise a new reprise for the tune.  It’s a wonderful moment and the smiles spread through the room, on stage and off, culminating in a mass of applause and cheers.

It's refreshing after covid to hear the terrace style chant ringing out.  It’s no surprise when the band have a decade of live experience and bring it all to bear on a foreign audience that has been starved of their presence for at least three years.  It's probably only covid that has restricted this band to a venue the size of the Academy.  It would be no surprise to see them opening arena tours very soon.  Check out their tunes and catch them while they’re affordable and hungry.

 

 

 

 

 

 

 

 

 

 

 

 

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The Slow Readers Club Modernise Ahead Of New Tour

  • Published in News

 

The Slow Readers Club Modernise Ahead Of New Tour

Photo by Trust A Fox Photography here

From its retrofuturist EBM influenced opening, through an Irvine Welsh-style bridge, all the way to its euphoric arena rock climax, ‘Modernise’ is a fantastic teaser for the upcoming new album from Slow Readers Club.

Find info and tour dates below. Looking forward to seeing them back in Dublin!

One of the greatest self-made stories in contemporary British rock music and one of our biggest cult bands, The Slow Readers Club today share their new single ‘Modernise’. It’s the second track to preview the Manchester band’s new album ‘Knowledge Freedom Power’, which follows on February 24th. The record is their first full studio album since ‘The Joy Of The Return’ became their first to crash into the Top 10 in 2020.

As the opening track to ‘Knowledge Freedom Power’, ‘Modernise’ sets the agenda that emerges as the rest of the album unfolds. It presents a post-capitalist dystopia in which the demands of technology, automation and always-on work culture overwhelms the individual until prayer becomes the only possible salvation. And yet the album’s undercurrent of hope and defiance offers an alternative - it’s not too late to take a stand. Sonically it’s completely in tune with its subject matter, as ultra-precise electro beats and a buzzsaw industrial-synth riff fight for prominence with the raw humanity of Aaron Starkie’s vocal.

The band commented, “‘Modernise’ is about the constant need to learn and adapt to changing, it’s a bit of a techno fear song.”

As with the rest of the upcoming album, ‘Modernise’ was written by the band, with production from Joe Cross (Hurts,  Courteeners, Louis Tomlinson).

‘Knowledge Freedom Power’ was launched alongside its title track, which continued the critical acclaim and cult adoration that has become a hallmark of their career. Premiered by Chris Hawkins at 6 Music, the track received further airplay at Amazing Radio and XS Manchester, was added to Apple’s New in Alternative playlist, and received news coverage from Louder Than War, Live4Ever and Atwood, who described it as, “an exhilarating, energizing anthem that seeks to spread a little more light and love in the world.”

The two songs provide an insight into what to expect from the ‘Knowledge Freedom Power’ album. Its hybrid of strident synth-rock and anthemic alt-rock recall feels like a kindred spirit to Muse, White Lies and modern day Bloc Party as The Slow Readers Club step into a new future - both stylistically and thematically. While it’s a warning sign of the potential imbalance between mankind and machine, it’s also a positive declaration that the future is still ours to dictate. As we’ve seen in the past, using knowledge in the pursuit of freedom and power will be just as vital in the years to come.

FEBRUARY

5th - UK, Bury, The Met (Independent Venue Week show - SOLD OUT)

MARCH

2nd – UK, Barrow-in-Furness, Barrow Library (SOLD OUT)

4th - UK, Leeds, University Stylus

6th - UK, Glasgow, SWG3

7th - UK, Aberdeen, Lemon Tree

9th - UK, Nottingham, Rescue Rooms

10th - UK, Birmingham, O2 Academy 2

11th - UK, Bristol, Thekla

13th - UK, Portsmouth, Wedgewood Rooms

14th - UK, London, Lafayette

17th - UK, Manchester, Albert Hall (SOLD OUT)

APRIL

14th - UK, Belfast, Limelight 2

15th - Ireland, Dublin, Academy

 

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