Sam Lee plays a unique role in the British music scene. He is a multi-award-winning singer with a rich and soulful voice, a committed folk song collector and a successful promoter of imaginative live events. With training in visual art and contemporary dance, Sam has presented acclaimed radio documentaries and appeared on stages around the globe. And if all that wasn’t enough, Sam Lee is also a passionate conservationist and highly effective environmental campaigner. This is seen through his work with Extinction Rebellion, Music Declares Emergency and the recent RSPB campaign, ‘Let Nature Sing’, where Sam helped get 3 minutes of birdsong into the UK Top 20 charts for the first time.

Sam Lee’s third album, Old Wow, his first for respected indie label, Cooking Vinyl, is due for release on January 31. The album will be accompanied by his most comprehensive UK tour to date. As with Sam’s previous albums, this latest album looks set to surprise, challenge and inspire.

Old Wow was recorded at RAK Studios and Studio 355 in London and is produced by Bernard Butler (Suede, MacAlmont & Butler) who also contributes electric guitar, an instrument Sam has never recorded with before. ‘It’s played so beautifully and sensitively here that you wouldn’t necessarily know it was an electric guitar at all!’. A remarkable and rare guest vocal is provided by Elizabeth Fraser (Cocteau Twins) with Caoimhin O’Raghallaigh of the acclaimed band, The Gloaming, joining on hardanger violin. Matthew Barley provides cello on two songs. There are also beautiful harmonies provided by Cosmo Sheldrake and spoken-word poet, Dizraeli. A dazzling supporting cast of musicians features: James Keay on piano, Misha Mullov-Abbado on bass and on percussion, Josh Green. Bucolic front cover artwork is provided by Alex Merry (Boss Morris - and designer for Gucci).

Old Wow is an album devoted to the natural world; a commitment that has dominated Sam’s heart and non-musical practice for more years than he has been singing. It’s an album about our complicated relationship with planet earth but also, about the impact that ecological crisis has on our sense of self and the place we call home. The title came to Sam during a journey in the wilds of Scotland, where he had gone to reconnect with nature. While alone on a mountainside, a buzzard suddenly swooped down and screamed right over his head. Sam felt he was 'receiving a message, telling me to listen properly and pay attention and the name ‘Old Wow’ surfaced. I use ‘Old Wow’ to describe that sense of wonder and magic that can, if listened to deeply enough, animate nature very powerfully. It also describes those experiences which exist beyond the natural realm which are often described in our folk songs.’

TOUR DATES

29 January 2020     Glasgow Glasgow Royal Concert Hall (Strathclyde Suite)

31 January 2020     Newcastle Cluny

01 February 2020   Manchester Night and Day

03 February 2020   Nottingham Rescue Rooms

04 February 2020   Leeds City Varieties

05 February 2020   Birmingham Glee

06 February 2020   Exeter Phoenix

07 February 2020   Bodmin St Petroc’s Church

08 February 2020   Lyme Regis Marine Theatre

10 February 2020   Cambridge Junction 2

13 February 2020   Brighton St George’s

15 February 2020   Canterbury Gulbenkian Theatre

16 February 2020   Norwich Open

17 February 2020   London EartH

19 February 2020   Bristol St George’s 

21 February 2020   Cardiff The Gate

Amalie Bruun journeys into the heart of Scandinavian culture via crystalline vocals, an array of traditional instruments and storytelling.  Myrkur's Amalie Bruun has always carved her own path and challenged underground preconceptions of heavy genres. Soon after newfound motherhood, Bruun sets out on a journey into the very heart of the Scandinavian culture that marked her own childhood with the release of her new album, Folkesange. Due out March 20 via Relapse Records, Folkesange relinquishes black metal for a refined yet far-reaching evocation of traditional folk, combining songs ancient and new to sublimely resonant effect.

Myrkur has unveiled lead single and album opener, ‘Ella’ which she explains is "the result of years of studying, playing and listening to traditional Nordic folk music. This is my version of a new folk-song, with roots planted in history and in the past. It is my ode to mankind and our connection with nature - a rite of passage as a woman and a rebirth-ritual in the sea. Three years ago, I decided to share a video where I performed an old Scandinavian folk-song on the nyckelharpa. After this I realized that I had a strong need to create an album within this universe and that other people also wished to hear this. So I started working on picking out what old songs to reinterpret as well as write my own version of this. Ella is this."

On Myrkur's first two full-length studio albums (2015's M and 2017's Mareridt), she recast black metal in the most personal yet expansive of terms, their blending of Bruun's Danish folk roots with tempestuous internal struggles breathing new life into a subgenre whose followers can be rigidly possessive.

After the nightmare-induced visions that wrought themselves throughout 2017's immensely acclaimed ‘Mareridt’, ‘Folkesange’ offers an emotional sanctuary, a means to reconnect to something permanent and nature-aligned. It's an awareness that's become deeply bound to the album's organic, regenerative spirit.

 ‘Folkesange’ track list:

1. Ella (YouTube)

2. Fager som en Ros

3. Leaves of Yggdrasil

4. Ramund

5. Tor i Helheim

6. Svea

7. Harpens Kraft

8. Gammelkäring

9. House Carpenter

10. Reiar

11. Gudernes Vilje

12. Vinter