In celebrating its 10^th birthday, End Of The Road remains a unique and brilliant fixture of the UK festival calendar. Housed in the exquisite settings of one-time Victorian Pleasure Gardens, EOTR has grown in recent years, but refuses to part with any of its charm. There’s a relaxed and welcoming atmosphere, but they are deadly serious about their packed and diverse line up, which showcases huge names and those in the making.

Among the free-roaming peacocks, the festival is also packed with comedy, fantastic art installations, a Forest Disco and perfect little touches. (How does a surprise performance from Laura Marling on a tiny, hidden Piano stage sound?)

In an increasingly busy festival calendar, End Of The Road stands out from the crowd, and you can see it in the enjoyment of the performers. You’ll see many of them wandering around the site before and after their sets, and there’s no wondering why.

On Friday afternoon there were captivating sets from the Race Horses’ Meilyr Jones; moody Canadian outfit Ought; the fantastically raw Torres; upbeat art-pop act Django Django and the wacky King Khan & BBQ Show (complete with gold cape and black leather pants).

But Friday belonged to Tame Impala, who headlined The Woods stage with a commanding and mesmerising set. They flowed through earlier, guitar-led material and the more disco-focused Currents. Opening track ‘Let It Happen’ pinned their colours to the mast for a dazzlingly trippy set, and when the stomping favourite ‘Elephant’ started, the festival really felt underway.

The night was capped off by East India Youth, who performed a spellbinding electro-pop set in the Big Top Tent.

Saturday began with the colourful Human Pyramids, who performed a wonderful, orchestral show. With a stage literally full of musicians, it was the perfect wake up call, complete with uplifting string arrangements, clever melodies and startling drums.

Following this came The Duke Spirit, Slow Club, whose impact was lost slightly on a larger stage, distinctive LA two-piece Girlpool and the abrasively rocky Ex Hex. All this preceded the explosive Fat White Family, who tore the Big Top Tent apart.

As the highlight of the entire weekend, special praise must be reserved for Sufjan Stevens. Making his first UK festival appearance, Stevens played one of the most astounding sets you are ever likely to witness at a festival, during which you could hear a pin drop.

To stun a festival crowd into silence on a Saturday night is no mean feat, but in brisk September conditions the real chill comes from the wonderfully bleak compositions of Carrie And Lowell. ‘The Fourth Of July’s’ refrain “We’re all gonna die” is one you would expect to be a bit too drab for this crowd, but it’s absolutely spectacular. After sharing a hand-written letter he had received from the organisers some 8 years earlier, requesting he played, it was more special for the wait. Then when things got a little too solemn, Stevens would react appropriately, playing feel-good tunes like ‘Chicago’ and ‘Come On! Feel the Illinoise!’ complete with a brass backing band.

Following Saturday’s chill, Sunday was gloriously warm. We are welcomed by indie darlings Hinds, who had clearly brought some Spanish sun. In turn, the inhabitants of the Big Top tent groove to the tunes of Ultimate Painting and Happyness, who bring a dreamy slice of '90s-inspired rock. Later Alvvays brought their sugary indie pop to the sun soaked main stage.

Mac DeMarco offers a 10^th birthday cake for the festival, alongside a slick set on the Garden Stage. “I’m going to cuddle up to a peacock and ruffle a few feathers, if you know what I’m saying”, a spaced-out DeMarco announces, in his best bloke-in-a-porno impression. Towards the end of his set, Mac leaps into the crowd, but “straight to the ground as always.” Meanwhile his band-mates, who have personalities and talent as immense as his, chuck their guitars to and fro, amidst impressive solos.

The grandiose sound of The War On Drugs, driven by Dylan and Springsteen’s influences, is chosen to call an end to the festival. Like so many others they show a genuine pleasure to be playing, saying the only other time they’d been asked, they simply couldn’t afford the flights. Now as a major player, they’ve found their place and give an impressive show, showcasing 2014’s astounding Lost In The Dream, for the festival’s final hurrah.

End Of The Road’s 10^th birthday celebration was, as expected, a huge success. The intimate but expansive gathering is a family-friendly treat and a musical highlight of the year. The sound on each stage is incredible, and most importantly unlike other festivals, the 4 stages are close enough that you’re only ever be a few minutes’ walk between each (via a bar with short queues), meaning you can really focus on enjoying some great music, in an idyllic setting. Here’s to another 10 years.

Now celebrating its 10th year, End Of The Road is a folksier alternative to more prominent names. It offers a mecca for foodies (all organic, all local) and lovers of folk and dreamy rock tunes can expect a perfect blend of the tranquil and the lively.

The real-ale soaked Dorset gathering has attracted big names this year, with headliners including shoegazers The War On Drugs who arguably released 2014’s finest record, Lost In The Dream and Sufjan Stevens, who has penned Carrie And Lowell, a contender for 2015’s. They’re joined by Australian psychedelics Tame Impala, who have their hotly anticipated 3^rd release coming in July.

There’s a refreshing vibe to the festival and campers are given the space and freedom that the range of music merits. There are no VIP areas so performers are often seen wandering the site. My visit to the festival in 2013 involved a conversation with members of Parquet Courts about the best beer on offer. They were just chilling by the Cider Bus. Yes, there’s a Cider Bus.

The range of performers is staggering but the must-see acts at 2015’s festival include Future Islands, who you’ll know and most-likely love from that Letterman performance. There’s Laura Marling whose soft acoustic tunes are accompanied by a beautifully chilling voice. Superstar slacker Mac DeMarco and afrobeat outfit Django Django bring the perfect hazy summer soundtrack. Alvvays create fuzzy indie-pop in abandon while the legendary Mark Lanegan offers a darker touch.

Torres has a spell-binding rawness in her craft of moody indie-rock tunes. Ought are an exhilarating art-punk band from Montreal, Canada. Wistful folk from Jessica Pratt sounds as if it is lifted straight of the mid-'60s and Happyness’ dreamy lo-fi sound is a mesmeric treat.

But this is just the tip of the iceberg in the range of sun-soaked up-and-coming gems on offer and with wild Peacocks roaming the festival site without a care in the world, End Of The Road 2015 is a truly unique festival. V-Festival it’s not.